It's a mix that doesn't always work and tone and pacing can be a bit uneven at times (especially during the third act), but Spectre largely succeeds in paying homage to many of the classic Bond films while still delivering the gritty action people come to expect from the newer instalments and staying true to the character Craig has so successfully made his own. This is supposed to be a spoiler-free review, so I won't go into any of the story details, but what unfolds after the introduction plays like a combination of the more grounded, serious Bond we've come to associate with Daniel Craig's films, and the more self-aware spy-romps of the Roger Moore era.
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In fact, after a stand-out intro sequence in classic fashion, the spy with a license to kill takes us on a ride which - tonally - feels like travelling back in time to the glory days of such classics as You Only Live Twice, Goldfinger or From Russia With Love (and it's a ride back in time in more senses than one). Don't get me wrong it's not suddenly ALL fun and games for Her Majesty's finest spy (and Craig still portrays him as a character driven by inner rage) - but the new film is a virtual celebration of the whole James Bond universe, from past to present, including the less grounded and over-the-top elements from the older films.
Sam Mendes and John Logan apparently came to the conclusion that it was time to bring back one of the most crucial ingredients for Bond's success with audiences over the years: the fun. Instead of further exploring the somewhat dark, dramatic route the previous three films took - which, I must admit, worked very well in Casino Royale - Spectre unexpectedly goes in the exact opposite direction. Well, I can only say I was pleasantly surprised (although judging from most reviews here, I seem to be in the minority). Regrettably, the last three 007 instalments fell a bit short in that department (at least for my taste), and since I expected this new film to be more of the same, I didn't exactly get my hopes up.
Now what kind of entertainment you expect from a James Bond film is up to you as for me, I go with fun. Entertainment, as we all know, comes in different shapes and sizes it can be smart, profound, intellectually stimulating and so forth – or it can just be escapist fun. These cuts persist in all worldwide versions of the film.įirst off, let me get something out of the way here: I like to be entertained.
The uncut version showed the man putting the gun under his chin and firing with a spray of bloody mist, and two subsequent shots showed brain tissue hanging down from the back of his head. The suicide now takes place off-screen and with reduced detail.The uncut version showed this all from the front, including the aftermath. The eye gouging now only shows an establishing shot of the thumbs being inserted, then cuts to a counter-shot from behind the victim's head when the slightly bloody thumbs emerge.Reductions to "strong bloody (injury) detail" were made in the following two scenes: These were made prior to formal submission and it was duly passed at 12A with no further changes. The BBFC informed the filmmakers that cuts would be required in two scenes before a 12A rating, instead of an uncut 15, could be obtained. In August 2015, Columbia submitted the film to the BBFC in the UK for advice on whether the film would receive a 12A rating upon a formal submission.
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